Three out of
Five stars
Running time:
105 mins
With its bonkers mish-mash of genres and blatantly stealing from other movies, Doomsday is utterly ridiculous but highly entertaining with it.What's it all about?Doomsday begins in June 2008, when the outbreak of a deadly virus leads to the rapid evacuation and subsequent quarantining of Scotland, with a heavily reinforced barrier erected on the site of Hadrian's Wall. Twenty-seven years later, a new outbreak of the virus is discovered in London, causing the Prime Minister (Alexander Siddig) to send an elite group of soldiers (including Adrian Lester and Sean Pertwee) into still-quarantined Scotland in search of a possible cure.
The soldiers are led by no-nonsense commanding officer Eden Sinclair (Rhona Mitra), who was separated from her mother during the evacuation and subsequently raised by the military. What they find is a gang of feral survivors headed by the vicious Sol (Craig Conway) and a rival, quasi-Mediaeval society led by Kane (Malcolm McDowell), the mysterious doctor who may hold the key to the survivors' existence.
The GoodIt's hard not to love a film that sets a deliriously exciting Mad Max-style car chase to the sound of Frankie Goes To Hollywood's Two Tribes. This set-piece is undoubtedly the film's high point, but director Neil Marshall also throws several other gleefully bonkers sequences into the mix, including: a battle to the death in a gladiatorial arena; an escape (by steam train, no less) from an angry mob; and a bizarre cabaret-cum-ritual sacrifice scene that has to be seen to be believed.
The BadThose expecting serious sci-fi are destined for disappointment, as the flimsy script is just an excuse to stitch together the various genre-blending action sequences – indeed, the film's premise is completely forgotten in all the mayhem. Similarly, the acting is dodgy in places (though Mitra does okay in the ass-kicking stakes) and there are some ridiculous lapses of logic.
Worth seeing?Despite its ridiculous plot, Doomsday delivers plenty of thrills and is hugely enjoyable in a leave-your-brain-at-the-door sort of way. Worth seeing.